Wednesday, April 18, 2018

On Faith, Doubt & Arthur Miller

Huge congratulations to Kerensa Jennings whose sensational literary thriller SEAS OF SNOW was just released in paperback! Since its hardcover publication a year ago, SEAS OF SNOW has been a favorite of great book bloggers, garnering a slew of 5-star reviews. If you didn't catch it before, I interviewed Kerensa about her writing process and SEAS OF SNOW a couple of months ago (check it out).

It's actually appropriate because I wanted to blog about an amazing documentary I watched last week - Arthur Miller: Writer - which reminded me of Kerensa. What do a contemporary British novelist and a late American playwright have in common? Besides talent - and Marilyn Monroe? (I'll get to Marilyn in a minute!) Faith.

As writers, we all need faith to keep going.  We get such little positive feedback on a daily basis, we have to learn to overcome fear and doubt on our own. (btw Kerensa tweets about believing in yourself and not giving up on a daily basis, and she's proof dreams do come true!)

I always imagined, if you're lucky, you reach a certain pinnacle in your career beyond which doubt doesn't affect you. But I don't think that's true. Arthur Miller: Writer gave me a glimpse into the universal struggle all writers have with doubt.

I'm a fan of Miller's, so I had to check out the never-before-seen footage of him not at work, but at home. In his workshop. In his backyard. In the kitchen. It was filmed over decades by his daughter, so the footage was personal, warm and unguarded. Very different from the ‘serious’ interviews we’ve seen of him over the years. Obviously, Miller experienced much success in his career. But privately, there were times when he thought he’d lost his talent. That he couldn’t write anymore. (I love hearing when geniuses think they can’t write. It’s so encouraging!)

Miller also went through long periods where he wasn't a critical favorite. In the 1970s, his plays were lambasted by the critics. Maybe he was simply out of fashion or, possibly, the critics were just tired of loving him so much. But he didn’t stop writing, not even through a string of failed projects. In the 1980s and 90s, his work became de rigueur again. But you know what? In the documentary, he didn’t seem all that thrilled about it. He knew firsthand that popularity came and went, and that you shouldn’t get too attached to it. You need an internal compass to navigate your life. We all do, whether we’re writers or not.

Now to the Marilyn connection. Parts of the documentary were Mr. Miller narrating passages from Timebends, his autobiography, which I read years ago. I’ll admit at least part of the reason I was attracted to this book went beyond Death of Salesman, leaning toward my affinity for Marilyn Monroe – his one-time wife. But it was still a fascinating, enlightening account of a great writer’s life. He wrote books, short stories and screenplays, too, so regardless your interest, he has something to share. I highly recommend both the book and the documentary!

The reason this all reminded me of Kerensa, is because several weeks ago, she posted an inspirational tweet, which featured this lovely photo of Ms. Monroe (above) - and a very simple, but powerful message. I actually printed this one off, I love it so much! I'll leave it with you! (Say it ten times a day, at least!)
Here's to your story!  Stay tuned or follow me on Twitter (@SLMcInnis) for updates. Lots of news coming up about my new thriller! Thanks for stopping by! :)

Kerensa's Interview on
Seas Of Snow on Amazon Kerensa's website
Timebends on Amazon
Arthur Miller: Writer by the talented filmmaker, Rebecca Miller

Sunday, February 18, 2018

J.A. SCHNEIDER: Author Interview

J.A. (Joyce) Schneider is a real leader in the writing community. With ten great thrillers to her name, 117,000+ followers on Twitter, and a legion of fans (including yours truly!), Schneider’s books regularly rack up hundreds of five-star reviews. She’s worked for Newsweek, has had titles published by Simon & Schuster, and broke into the indy scene in 2012, when it was still relatively new. Since then, she hasn’t looked back.

Embryo was her first series, medical thrillers that often explore the murky line between reproductive technology and modern ethics. The books are convincing windows into what goes on behind the glass doors of big hospitals, full of fascinating medical details that inform and entertain. (Schneider’s husband is a doctor, so it gives the plots lots of authentic detail.)

Her Det. Kerri Blasco series follows two New York investigators on cases that are always contemporary, crisply written and tightly plotted. Her latest, SHOELESS CHILD, is about a little boy who witnesses a terrible shooting that leaves one woman dead and his mother wounded. The story ricochets between tender scenes and terrifying ones, catapulting from a thrilling opening (Schneider’s first scenes are killer!), through imaginative twists, to a climax that both surprises and gratifies.

All her books teem with authentic characters and dialogue, too. I’ve been a fan of Det. Kerri Blasco ever since I met her in the first book, FEAR DREAMS. She’s always tough, cool and likable. But Kerri has a soft side too, and it's wonderful to watch that part of her evolve in SHOELESS CHILD. Incidentally, Schneider’s main characters are often romantically involved with their professional counterparts, so there’s a perfect dash of romance, too.

I really admire how she balances it all. I’ve wanted to interview Joyce for a while now. She was gracious enough to be the first author to respond to my W5W interview technique. (The Who, What, When, Where and Why’s of the #writerslife.) From plotting to promo, here’s a peek into how this outstanding author works.

Who are your biggest influences as a writer, and why?
Late Writer: Ira Levin, absolutely (Rosemary’s Baby, The Boys From Brazil, The Stepford Wives, others) I re-read him often, am still astonished at how he conveys so much with so few words. In The Boys From Brazil, Liebermann, the Nazi hunter, waits frantically in a post-war German prison, about to meet a female former Auschwitz guard. He’s beside himself with emotion, thinking of lost loved ones, imaging what the woman being brought to him will look like. A monster? A snarling beast? He waits; the woman’s lawyer brings her; the door opens…and in droops “a small, bent woman in a shabby uniform, with a disappointed mouth.”

“A disappointed mouth!” Three words summarize a whole life as it ends, takes stock of itself. We see that small, gray, bent woman much better than if Levin had described her in more detail. Three words … Wow.

Contemporary Writer: I also read James Patterson, his best stuff. I love his pace, fast action; also his ability to say much with few words.

What are your top three writing tips for creating great characters?
Spend some time thinking about them.
Then start writing – just start pressing keys.
Watch your  characters start to come to life and surprise you. When hopefully this works, the feeling is like Gepetto amazed to see Pinocchio take off.

What are your top three tips for plotting great stories?
Wish I knew! I don’t outline; at most I have a rough outline which will change totally before it’s done. I like to be surprised as the story finds its way through the sticky morass of characters and plot threads…that’s when I try to figure out what I’m really trying to say. It’s an unconscious thing. Ideas come as I write, and practically every paragraph’s a surprise to me. I do wish I could outline and plot ahead, but I can’t. I just let the story eventually, after umpteen drafts, take me where it wants to go.

What are your top three book promo tips?
BookBub, there is only BookBub. Every time they’ve accepted a promo of mine (not often, wouldn’t that be nice?) the result has been astonishing and has lasted for sometimes two or three weeks; also has lifted my other books on the same “BookBub tide.”

Second and third might be Amazon Marketing ads and Facebook ads. I’ve just started exploring those two, so I can’t report concrete results.

Of the many “mini BookBub” sites, eReaderCafe seems to have become very successful, with big author names daily in their emails. Other smaller sites might bring results lasting one or two days, but on the whole they are weak.
Even a BookBub ad drops you back after a while, and the best way to grow is just write the next book. Have patience; it’s a marathon, not a sprint. The chance of best sellerdom via publishing one or two titles – you have a better chance of roping a unicorn. Rarely, you’ll hear about some “debut best seller,” but on the whole, success = inventory.

Also important are one’s friends on Facebook. I’ve been fortunate that, over the years, relationships with some Facebook friends have become warm and very supportive. These friends buy my books, write reviews, and then clamor for the next one. That’s a good thing, right?

When did you know you wanted to be a novelist? Tell us a bit about that time in your life.
“Writer” and “novelist” still seem like such pretentious words. I’d never walk into a party & introduce myself as, “I’m a writer.” Don’t know why that is, how odd of me. But I always loved stories and wrote: poems, adventures, ghost stories to entertain other kids around campfires.

Then, while working at Newsweek…well, everyone was doing it – writing - hoping to create that great bestseller so they could quit working at Newsweek. Older, successful former staffers would come back and say, “Why are you still here?” Ha! So the idea blossomed over time.

SHOELESS CHILD is Book 4 in your fantastic psychological thriller series featuring Det. Kerri Blasco. Where did you get the idea for the latest book?
The idea came when I read about an attack in NYC, the borough of Queens, where a shooter stormed into the apartment of two women and their small children. There were pictures of a police officer carrying out a crying little boy, it was so awful, and I thought: what if that cop hadn’t been there right away? What if that child had to run out alone into the night? A dark city street, more danger even after the trauma of seeing his mother shot! The story grew from there. But I started with just that image of the running child, nothing more.

Why do you think you write? Why are you so motivated to create stories and characters?
I really love to tell stories. Create that magic carpet that transports readers from the mundane into the extraordinary. I also like to show ordinary people struggle through terrible odds and come out okay. Stories like that reassure. And entertain. And lift us out of ourselves. What else besides a great movie or book can do that? And books you can read in bed, under the covers, any time with a flashlight. Books are magic!

I love that! Books are magic! Absolutely true! Big thanks to Joyce for taking part in the W5W interview! Subscribe to the blog for more insight into this crazy thing called the #writerslife! And for more info about J.A. Schneider and her books, check out the links below! Thanks for stopping by! 

Amazon author page: J.A. Schneider
Traditional releases: Joyce Anne Schneider

Friday, January 5, 2018

KERENSA JENNINGS: Author Interview

Kerensa Jennings is that rare breed of author:  a literary thriller writer. Her first novel, SEAS OF SNOW, published by Unbound last year, became an instant bestseller and continues to garner great attention, with 130+ reviews on Amazon internationally, most of them 5 stars. Several big book bloggers have also rated it one of their top books of the year! I'm reading it now and I think it's brilliant, combining envious - even poetic - writing talent with a keen sense of plotting, pace and character. 

Kerensa is also a supportive presence online, regularly posting beautiful images and inspiring quotes about life and creativity. I had lots of questions about her writing process – and how much her life has changed since become a bestselling author ...

You have a busy, successful career outside of SEAS OF SNOW, running The Duke of York Inspiring Digital Enterprise Award from Buckingham Palace. You've been voted one of the Top 50 Most Influential Women in UK Tech, worked as a journalist, producer, executive coach and a professor. How (on earth!) do you organize your day to find time to write?

Aha! The million dollar question…  Well, in truth, I write at least a little bit each and every day. Always have, ever since I could write. Short poems, brief aper├žus, narrative pieces and flights of fancy. Nearly always short form.
I wrote SEAS OF SNOW in all my holidays between 2009-2013 when I was the BBC’s Head of Strategic Delivery. In 2014 I polished the submission edit; then in 2015 got the book deal. In 2016 I worked on the development edit, the copywriter edit; the structural edit, the formatting edit (breathe!) then two rounds of proof reading…
I am not the sort of writer who sets themselves specific targets on word count or chapters. I write from the heart and can only really work on something as intensive and dedicated as a novel when I am in the right frame of mind. Combining novel writing with having a break from work is something I like very much. It suits me. In truth, I have always had day jobs which are far too all-consuming and time-demanding to allow me the luxury of long-form writing in a normal working week. That’s why for someone like me – who has been writing all their life - it took me such a long time to get my first novel out!
Of course I have a secret dream of being a full-time writer but so far no benefactor has swept into my life to magic away the need for a salary….
You didn’t have an agent for SEAS OF SNOW, but you do have a great publisher behind you. Tell us a bit about how it happened.
The story of getting my own book deal was a confluence of serendipity. I was on a panel speaking at a digital conference alongside one of the founders of Unbound, the ground-breaking publishers which is known as a bit of a digital disruptor. They select books for publication and give authors a platform to try to inspire people about the book they want to write. If enough readers back the idea, the book gets born. Simple as that. I told him, somewhat shyly, that I had written a novel. He told me how to submit to Unbound… and so I did. Much to my amazement, it ended up being selected for publication!
Fast forward and we ran a crowdsourcing campaign over the Summer of 2015, and I was told at that point in Unbound’s history (they had been publishing books for five years by then), mine was the second fastest fiction title to reach its target! The way it works is Unbound set a budget target which covers cost of the publication and initial distribution of the book. Once the target is met, the whole project is de-risked for everyone. And you get your lovely shiny book on bookshelves all around the world!
What was the biggest surprise about ‘getting published?’ 
Oh gosh, I think the fact it has inspired such an incredible response. At the time of writing, there are 122 reviews on UK Amazon, of which 90% (109) are five stars. And there are so far 10 reviews on US Amazon, with 100% being five stars! It’s more than I had begun to dare dream.
And being able to hold a thing that was once in my head – for real, in my hand. It was the proudest moment of my life, getting published. A fairy tale come true.

SEAS OF SNOW is a darkly emotional novel about a young girl who suffers terrible abuse at the hands of a predator. Authors often have trouble recovering from days of working on difficult passages. Did you find that?
I’m afraid you are right, it is a very darkly emotional novel. There are passages which not only broke me to write them, but I find if I re-read them, they make me cry. I was on the tube (the underground train) on the way to work recently preparing for an interview about the book and read one passage in particular… moments later I had tears streaming down my cheeks. I had to hastily damp them away!
Because the story was inspired by a real life crime, and my knowledge of the evidence of that crime, the actual writing took a lot out of me. Of course I transposed my story to another time and place; and SEAS OF SNOW was just ‘inspired by’ the case, not ‘based on’. But anyone familiar with the case will recognise the predatory nature of the antagonist.
I wrote SEAS OF SNOW partly as a means of catharsis… I always tend to write to process my own responses to things. But in this story, I wanted so much that anyone who had ever been a victim to feel they had ‘permission’ to feel it was not their fault. That might be a victim of the abuse itself, or indeed a victim in the sense of feeling helpless but aware of something horrific unfolding. Little Gracie agonises over whether somehow she is being punished for something; and her best friend Billy tortures himself over what he could and should be doing. Gracie’s mother colludes… not through choice but through pressures of social mores and sheer terror of what worse might be to come. I have had a lot of correspondence from people who have suffered abuse, saying the story really resonated with them, and thanking me for writing it. That is the most humbling and amazing response I could possibly hope for. If it has helped even one person a little bit… I feel blessed to have had the opportunity to do that.
You’re a journalist and a poet and both skills comes across so well in SEAS OF SNOW. How did the two different skills influence your writing of the novel?
Thank you so much! Writing is my lifeblood… it flows in me and through me. I’ve been writing poems and short stories ever since I could hold a pencil. It’s something I just feel compelled to do – it’s how I process my feelings and make sense of the world. Analogies and word formations and constellations of phrases simply poke themselves into being and I find myself transmuting them from somewhere inside to somewhere tangible, on paper or on a screen.
So the poetry bit is just something that happens organically and needs to spill out. When I was writing SEAS OF SNOW, it felt entirely natural to simply write as ‘me’ – and that meant letting myself write freely in a way that many have since described as ‘literary’ or ‘poetic’. I did not do this self-consciously, although I admit I love language – the way it sounds, the way you can put it together, the way you can create soundscapes through your writing.
The journalism bit comes from my training and long career in the media. I started working professionally in national television back in the early nineties, having previously done local journalism both on the radio and on a local newspaper while at school and then University. I learned my craft from some of the best writers on TV. When you write for television, you have to be mindful that someone is going to be reading your words out loud. So the trick is to keep your sentences brief and concise, avoid subordinate clauses, and pitch the vocabulary at an accessible - but not patronising - level. A rule I always tried to follow when writing for some of the most famous presenters in British TV is the ‘nine-year-old’ rule. Imagine whoever is presenting will be speaking to a very smart nine-year-old in the audience. Super clever, so able to follow relatively complex concepts without being dumbed down. But would struggle if you packed your script with jargon or anachronistic vocabulary – anything off-putting or in accessible. 
The job of journalism is to seek the truth, to hold people accountable for their actions, to expose what is wrong and work on the principle of transparency.
SEAS OF SNOW is inspired by a real-life crime investigation I worked on. I led the BBC News coverage of a famous case where a school caretaker murdered two beautiful little ten–year-old girls from his school. I worked closely with the police on that case and got to see all the evidence – including some very traumatising video footage. I then had to sit behind the perpetrator day after day in court during the trial. I found it emotionally eviscerating. Writing SEAS of SNOW in large part acted as a process of catharsis for me. I wanted to find out more about the mind and motives of a psychopath and explore whether evil is born or made.
Bringing a journalistic eye for detail and a literary eye for language is a strange combination I suppose, but something that is intrinsic to my writerly life.

Kerensa has been writing since "she could hold a pencil!"

What are your best promotional tips? 
I still consider myself to be a complete amateur at this book promotion stuff. The things that have worked best for me is being authentic in all my interactions on social media. Twitter is the vehicle I like the best. For book people – be they readers, authors, bloggers, other reviewers, agents, publishers and so on… it’s a friendly, empowering space where generally people are delighted by each other’s success and love helping shine a light on each other. I feel if everything I do is done with integrity, then that is the best I can do. My Twitter handle is @zinca – I try to do a mixture of sharing things I think are interesting or useful that I believe others will enjoy or benefit from. I also do a bit of sharing things about my own bookish world; and I like discovering lovely inspiring quotes which I hope will lift people. I quite like the creativity of finding meaningful quotes then searching out images that complement them. I also like to try to be a good friend, supporter and advocate of fellow authors and the amazing circle of book bloggers that are out there.
I also like Instagram – it’s simple and easy. My handle there is @seasofsnow – and again I mix it up a bit. Sometimes stuff to do with my book – like the time recently SEAS OF SNOW was in the BBC Children in Need Authors Auction to raise money for a wonderful cause. I could hardly believe it but there was a bit of a bidding war for my book (!) and it raised the fifth highest bid in more than 200 signed books… I was stunned it raised more than books by Ian Rankin and Mark Haddon among others! Other times I post a beautiful photograph of something I have seen or been to. Recently I posted a photograph of the Tate Modern in London on the day I went to the Modigliani exhibition; I also posted some highlight photos from a recent trip to Mykonos in Greece; and one of an album launch I was lucky enough to attend by the singer songwriter Simon Higdon – I hoped people who follow me might get the chance to catch his music on Spotify because I love it!

I so far have not been able to get to grips with Facebook. I find it rather corporate and unwieldy. I don’t like having to manage both a personal profile and a ‘book page’ profile… I find their notification system pretty idiosyncratic and I am not a fan of the interface. So I am afraid I would be a bit rubbish helping anyone to understand or use Facebook for promotional purposes. I did pay a few times to run ads on Facebook, but I did not discern that the ads made any difference whatsoever so felt it a bit of a waste of money. So I stopped. By contrast, I know for a fact loads of people have discovered me and bought my book because of Twitter.
Additionally, I’ve done a number of radio interviews… which I think have been helpful raising profile; and I have taken part in a number of press and other media interviews. One of my favourite experiences was being selected to be on the famous Backlisted Podcast – this was quite an honour as it’s all about classic writers. But they spotlight one modern writer per episode. I was the lucky author one time! I also loved being interviewed for the Book Club programme – a half hour slot presented by Penny Smith on Talk Radio. Half an hour to witter on about my book! Such a pleasure! You can listen to it here if you like by cutting and pasting the following link into your browser:
Lastly, I’ve taken part in a number of book panel discussions in book shops and at book clubs. You are only meeting a small group of people at a time at these events, but they tend to be highly engaged and really keen to read the book.
What’s the biggest change in your life since becoming a bestselling novelist?
In practical terms, nothing very much. I still have the same job, live in the same house, have the same friends and more or less the same life. I shan’t be off to my garret writing all day any time soon, much as I wish I could!
However, before my book came out I had less than 400 Twitter followers, I now have just over 7,000! That’s purely down to the work I have put in to help people discover the book. It takes time and energy, which is sometimes difficult to find…
The aspect of my life I find hardest since the book came out is a direct consequence of the latter point… finding time and energy to read as much as I used to. I think it is a requirement of a writer to read, read, read…. so I have found it a struggle to balance how much time to give promoting my work to actually giving myself the brain nourishment to make good progress myself in my own literary career.
The nicest thing is being asked for my autograph and being asked to be on panels and give talks at book shops or at book clubs. I love doing them.

What’s the best piece of advice you’d give to new authors? 
1.      First…. read, read, read… then read some more, then some more, then some more…. I believe by studying and critiquing literature, working out what makes stories compelling, and what makes the writing good; analysing structure and plot and character and denouement… all these things are what gave me the tools I needed to write a novel myself.
I had also been fed up of reading so many disappointing endings that just tailed away… which gave me my impetus to try to write an ending that would make readers feel glad they had invested in getting that far. So reading and analysing what you think doesn’t work is every bit as useful, I think, as reading great works.
2.      In addition to reading…. try to write a little every day… just keep up that metronome beat of always writing…
3.      Write for you and be true to yourself.
4.      If you are writing for fame, glory or riches… it might be worth finding another route for those things as they happen to very few writers.
5.      And very importantly… Don’t give up…
6.      Oh… and read!

I know you've been on deadline for your second novel. Tell us a bit about the story and when it's expected to be released.
My second novel is also inspired by a real world crime case I worked on during my journalism career. The novel is called EDGE OF RAIN and it asks how far can you push a person before they break… The trial I worked on was the Sara Thornton case – she had killed her husband, and was accused of murder. However, in the end, she was found guilty of manslaughter (not murder) because the evidence proved she had suffered years and years of abuse – in legal terms called ‘provocation’. This meant although she murdered him in cold blood, it was emotionally an event provoked in the moment because of all that had gone before. Fascinating stuff….
And in terms of when… watch this space!

Thank you so much, Kerensa! We wish you much luck with the new book and your many endeavors! By the way, the paperback for SEAS OF SNOW will be available April 5, 2018 – and the hard cover and e-book are in stock now!
Stay tuned for more interviews, promo tips and writing advice from great authors! Follow the blog by email or join me on Twitter @SLMcInnis!